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The Hangar Theatre is a non-profit, regional theatre located at 801 Taughannock Boulevard in Ithaca, NY. Its mainstage season and children's shows occur during the summer, but the Hangar, and other organizations, utilize the space year-round for special events.
Critically acclaimed author Sasha Sagan will visit Ithaca’s Hangar Theater April 7 from 4:30 to 5:30 p.m., ... Tickets can be upgraded to include an all-day terrace reservation for an additional ...
To attest to the natural wonder, critically acclaimed author Sasha Sagan will visit Ithaca’s Hangar Theater April 7 from 4:30 to 5:30 p.m., where she’s expected to speak on the eclipse and its ...
July 2014: THE LITTLE PRINCE (after Antoine de Saint-Exupery), produced by The Hangar Theatre, Ithaca, United States; June 2014: THIS PROPERTY IS CONDEMNED by Tennessee Williams, produced by The Hangar Theatre, Ithaca, United States; March 2014: INVITATION FOR DINNER by Olya Stoyanova, production of Theatre Sofia, Sofia, Bulgaria
The former airport site is now Cass Park, including a hangar which was renovated in 1975 to house the Hangar Theatre. [12] In 1946, Cornell University and the city of Ithaca began planning for a new airport on East Hill on the university-owned land in Lansing, New York. [13] East Hill Airport opened in 1948 with Robinson Airlines as its primary ...
This new intimate version opened in July 2012 at The Hangar Theatre in Ithaca, New York, [26] and was nominated for eleven BroadwayWorld Awards including Best Director. The production was subsequently remounted at Westchester Broadway Theatre in January 2014. He also directed the staged concert of Titanic at the Lincoln Center in 2014. [27] [28]
By 1992 she was an experienced choreographer and theatre writer. [10] Lampert moved from Brooklyn, NY to Ithaca, NY in 1997. The same year she traveled to China to stage West Side Story. Writing credits at Kitchen Theatre Company include: And, Lately...
The Drama League was founded in Chicago in 1910 as the Drama League of America. [1] The national organization was created with two primary objectives: to influence the professional production of the best plays by alerting members to performances that warranted their support; and to ensure the continuity of professional theatre by educating the audiences of the future.