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Along with the minor third, the major third is one of two commonly occurring thirds. It is described as major because it is the larger interval of the two: The major third spans four semitones, whereas the minor third only spans three. For example, the interval from C to E is a major third, as the note E lies four semitones above C, and there ...
Third interval may refer to one of the following musical intervals in equal ... semitones Minor, major, or perfect intervals ... Major third: M3: Diminished fourth ...
The extremes of the meantone systems encountered in historical practice are the Pythagorean tuning, where the whole tone corresponds to 9:8, i.e. (3:2) 2 / 2 , the mean of the major third (3:2) 4 / 4 , and the fifth (3:2) is not tempered; and the 1 ⁄ 3-comma meantone, where the fifth is tempered to the extent that three ...
In general, because the smaller semitone can be viewed as the difference between a minor third and a major third, and the larger as the difference between a major third and a perfect fourth, tuning systems that closely match those just intervals (6/5, 5/4, and 4/3) will also distinguish between the two types of semitones and closely match their ...
By contrast, a minor triad has a minor third interval on the bottom and major third interval on top. They both contain fifths, because a major third (four semitones) plus a minor third (three semitones) equals a perfect fifth (seven semitones). Chords that are constructed of consecutive (or "stacked") thirds are called tertian.
Between the open-strings of the standard tuning are three perfect-fourths (E–A, A–D, D–G), then the major third G–B, and the fourth perfect-fourth B–E. In contrast, regular tunings have constant intervals between their successive open-strings: 3 semitones (minor third): Minor-thirds, or Diminished tuning
the third – its interval above the root being a minor third (three semitones) or a major third (four semitones) the fifth – its interval above the third being a minor third or a major third, hence its interval above the root being a diminished fifth (six semitones), perfect fifth (seven semitones), or augmented fifth (eight semitones).
A major interval is one semitone larger than a minor interval. The words perfect, diminished, and augmented are also used to describe the quality of an interval.Only the intervals of a second, third, sixth, and seventh (and the compound intervals based on them) may be major or minor (or, rarely, diminished or augmented).