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The Phaedo has come to be considered a seminal formulation, from which "a whole range of dualities, which have become deeply ingrained in Western philosophy, theology, and psychology over two millennia, received their classic formulation: soul and body, mind and matter, intellect and sense, reason and emotion, reality and appearance, unity and ...
One need not suppose that Plato intended this as a literal discussion of metempsychosis or reincarnation: perhaps he meant it figuratively. [6] Plato does not see the human soul as a sort of patchwork of emotions and concepts; this differs from the views of many philosophers of his time.
Plato's most self-critical dialogue is the Parmenides, which features Parmenides and his student Zeno, which criticizes Plato's own metaphysical theories. Plato's Sophist dialogue includes an Eleatic stranger. These ideas about change and permanence, or becoming and Being, influenced Plato in formulating his theory of Forms. [54]
Ezra Pound included Plethon in his poem The Cantos. References to Plethon and Sigismondo Malatesta can be found in Canto 8. Plethon is also mentioned in Cantos 23 and 26. Pound was fascinated by the effect that Plethon's conversation may have had on Cosimo de Medici and his decision to acquire Greek manuscripts of Plato and Neoplatonic ...
Socrates now raises another topic: the relationship of pleasure to Being and Becoming. This refers to the philosophical distinction between the eternal, perfect, and self-sufficient Being on the one hand, and the transient, imperfect, and dependent Becoming on the other. Being is cause, Becoming is caused. All pleasure arises and passes away.
In the Republic, Book X, Plato discusses forms by using real things, such as a bed, for example, and calls each way a bed has been made a "bedness". He commences with the original form of a bed, one of a variety of ways a bed may have been constructed by a craftsman and compares that form with an ideal form of a bed, of a perfect archetype or image in the form of which beds ought to be made ...
The Charmides (/ ˈ k ɑːr m ɪ d iː z /; Ancient Greek: Χαρμίδης) is a dialogue of Plato, in which Socrates engages a handsome and popular boy named Charmides in a conversation about the meaning of sophrosyne, a Greek word usually translated into English as "temperance," "self-control," or "restraint."
The Greek title Erastai is the plural form of the term erastēs, which refers to the older partner in a pederastic relationship.Since in Classical Greek terms such a relationship consists of an erastēs and an erōmenos, the title Lovers, sometimes used for this dialogue, makes sense only if understood in the technical sense of "lover" versus "beloved" but is misleading if taken to refer to ...