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A bell pattern is a rhythmic pattern of striking a hand-held bell or other instrument of the idiophone family, to make it emit a sound at desired intervals. It is often a key pattern [ 1 ] [ 2 ] (also known as a guide pattern , [ 3 ] phrasing referent , [ 4 ] timeline , [ 5 ] or asymmetrical timeline [ 6 ] ), in most cases it is a metal bell ...
The rhythmic pattern is known in Cuba as baqueteo. The pattern of attack-points is nearly identical to the 3–2 clave motif guajeo shown earlier in this article. The bell pattern known in Cuba as clave, is indigenous to Ghana and Nigeria, and is used in highlife. [83] Top: clave. Bottom: highlife guitar part. (Play ⓘ).
The three single strokes are muted. The kadodo bell pattern is an embellishment of three "slow" cross-beats spanning two measures, or three-over-eight (3:8). Within the context of a single four-beat cycle (single measure), the cross-rhythmic ratio is 1.5:4. kadodo bell pattern (Play ⓘ) 3:8 or 1.5:4 (Play ⓘ)
The timbale bell comes from a stick pattern (cáscara) used in the Afro-Cuban folkloric rhythm guaguancó. Timbale bell and bongo bell (bottom) in 3-2 clave. Timbale bell and bongo bell (bottom) in 2-3 clave. The following example shows the most common conga (two drums), timbale bell, and bongo bell pattern combination used in salsa music. [26]
The upper parts show; a) two cells of 3:2, beginning on beats 1 and 3 (Play ⓘ); b) the same, beginning on beats 2 and 4 (Play ⓘ); c) one cell of a) and one of b) giving d) the standard bell pattern notation (Play ⓘ) The most commonly used key pattern in sub-Saharan Africa is the seven-stroke figure known in ethnomusicology as the standard ...
The following bell pattern is used in the Ewe rhythm kadodo. [13] The 24-pulse pattern crosses the barline, contradicting the meter with three sets of five strokes, across eight main beats (two measures of four main beats each). The three single strokes are muted. kadodo bell pattern (Play ⓘ) The kadodo bell pattern is an embellishment of ...
The bell pattern (also known as a key pattern, [17] [18] guide pattern, [19] phrasing referent, [20] timeline, [21] or asymmetrical timeline [22]) is repeated throughout the entire piece, and is the principal unit of musical time and rhythmic structure by which all other elements are arranged. [23] [24] The period is often a single bar (four ...
Bell pattern 1 is the most basic, or archetypal pattern. It is the 4/4 form of what is known in ethnomusicology as the standard pattern, and known in Cuba as clave. Pattern 1 is used in maculelê and some Candomblé and Macumba rhythms. Bell 2 is used in afoxê and can be thought