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Although the Kurukshetra War is not mentioned in Vedic literature, its prominence in later literature led British Indologist A. L. Basham to conclude that there was a great battle at Kurukshetra which, "magnified to titanic proportions, formed the basis of the story of the greatest of India's epics, the Mahābhārata". Acknowledging that later ...
The Battle of Kurukshetra, fought between the Kauravas and the Pandavas, recorded in the Mahabharata. Hindu mythological wars are the wars described in the Hindu texts of ancient India. These wars depicted both mortals of great prowess as well as deities and supernatural beings, often wielding supernatural weapons of great power.
Kurukshetra is an important Hindu pilgrimage destination, and there are several pilgrimage sites surrounding the city. The Hindi phrase 48 kos parikrama refers to a roughly 90-km traditional circle ( Parikrama ) around the holy city (1 kos equals about 3.00 km or 1.91 miles), and a complete parikrama refers to a pilgrimage to all these sites on ...
He is also described as a Maharathi [1] who fought on the side of the Kauravas against the Pandavas in the Kurukshetra War, and was cursed by Krishna with immortality for his attempt to kill Uttarā's unborn child. [2] Ashwatthama had gained knowledge of various divine weapons, namely the Narayanastra, Brahmastra, Brahmashirastra, and many others.
Mahabharata Manuscript illustration of the Battle of Kurukshetra Information Religion Hinduism Author Vyasa Language Sanskrit Period Principally compiled in 3rd century BCE–4th century CE Chapters 18 Parvas Verses 200,000 Full text Mahabharata at Sanskrit Wikisource Mahabharata at English Wikisource Part of a series on Hindu scriptures and texts Shruti Smriti List Vedas Rigveda Samaveda ...
The Epic-Puranic chronology is a timeline of Hindu mythology based on the Itihasa (the Sanskrit Epics, that is, the Mahabharata and the Ramayana) and the Puranas.These texts have an authoritaive status in Indian tradition, and narrate cosmogeny, royal chronologies, myths and legendary events.
Bhima's presence in Indonesian mythology extends into the wayang puppet theater, where his stories are celebrated. He is depicted as the son of the wind god, Batara Bayu, and is known for his exceptional strength and ability to control the wind.
Nahusha used his own story to warn Yudhishthira about the consequences of being arrogant. Agastya and Bhrigu had prophesized that Yudhishthira would rescue Nahusha from his curse. After conversing with Yudhishthira, Nahusha regained his original form and returned to Svarga.