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The alternate tuning (2 octaves below the mandolin) is usually applied to a smaller-scale instrument (see Mandobass). The alternate tuning (2 octaves below the mandola) is usually applied to a smaller-scale instrument (see Mandobass). Mandobass: 8 strings 4 courses. Standard/common: G 1 G 1 •D 2 D 2 •A 2 A 2 •E 3 E 3. Alternate: "Mandola ...
The traditional "Camburpinton" tuning is re-entrant (A 3 –D 4 –F ♯ 4 –B 3), but with the re-entry between the second and first strings, rather than between third and fourth as in the ukulele. The results are very different in tone. Other tunings of the Venezuelan cuatro are not re-entrant, however they are not as popular as the ...
Another common tuning for the soprano ukulele is the higher string-tension D 6 tuning (or simply D tuning), A 4 –D 4 –F ♯ 4 –B 4, one step higher than the G 4 –C 4 –E 4 –A 4 tuning. Once considered standard, this tuning was commonly used during the Hawaiian music boom of the early 20th century, and is often seen in sheet music ...
If the octave is also to be indicated, use either Helmholtz pitch notation, as in E–A–d–g–b–e′ for the guitar, or scientific pitch notation, as in E 2 –A 2 –D 3 –G 3 –B 3 –E 4. Although the expert will instantly recognise either of these for what it is, for the benefit of the general reader a link should be provided to the ...
Among alternative tunings for guitar, a major-thirds tuning is a regular tuning in which each interval between successive open strings is a major third ("M3" in musical abbreviation). [1] Other names for major-thirds tuning include major-third tuning , M3 tuning , all-thirds tuning , and augmented tuning .
A common alternative banjo tuning for playing in D is A-D-A-D-E. Many Folk guitar players also used different tunings from standard, such as D-A-D-G-A-D, which is very popular for Irish music. A musical instrument that has had its pitch deliberately lowered during tuning is said to be down-tuned or tuned down .
Mandola: C 3 G 3 D 4 A 4 (same as standard viola tuning) Mandolin: G 3 D 4 A 4 E 5 (same as standard violin tuning) Pipa: A 2 D 3 E 3 A 3 (most common and used in Chinese orchestra; several other tunings exist) Balalaika (Prima): E 4 E 4 A 4 (the two identical Es are on strings of different gauges) Requinto Jarocho: A 3 D 3 G 3 C 4 (G string ...
There are several tunings possible on the cuatro, but they are mostly transpositions of the main tuning (below), which may depend on the accompanied singer's range or the tone of the harp the cuatro is playing with. The strings are tuned from top to bottom (using the numbers 1, 2, 3, and 4), to these intervals: strings 1 and 2 – perfect fourth
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