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The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe.
The Paris-based world music record label Buda Musique began the Éthiopiques series in 1997 and initially compiled Ethiopian popular music releases from the 1960s and 1970s. Some of the subsequent CDs focus on traditional music, while others highlight individual musicians or specific styles. As of 2017, there have been 30 releases.
He went on to pursue a formal education in music at Holy Trinity College in London. Astatke was interested in promoting traditional Ethiopian music to Western audiences. Beginning in 1958, he also studied jazz at Berklee College of Music in Boston. There, he successfully combined Ethiopian music with Western jazz and rhythms, conceiving "Ethio ...
Complex rhythms: Ethiopian music is known for its intricate rhythmic patterns, as with the case for many African music, often featuring irregular meters and syncopation. Vocal styles: Traditional Ethiopian singing includes a variety of vocal techniques, such as melismatic, ornamentation, vocal slides, and call-and-response structures. In terms ...
Popular music in Ethiopia started in 20th century with the advent of western influence and mostly blended with the traditional Ethiopian music genre. The first band was formed in 1924, which came from Armenia and served as the royal band of Emperor Haile Selassie .
Bizunesh Bekele [2] (Amharic: ብዙነሽ በቀለ; 1936 – 25 June 1990) was an Ethiopian soul singer who was popular in the 1960s and 1970s of Golden Age. She was referred to as "Aretha Franklin of Ethiopia" due to similitude of musical style. Her songs were released in her native Amharic language. [3] [4]
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The music of Ethiopia is extremely diverse, with each of the country's ethnic groups being associated with their own sounds. Some forms of traditional music are strongly influenced by folk music from elsewhere in the Horn of Africa, especially Somalia. In southeastern Ethiopia, in Wollo, a Muslim musical form called manzuma developed in 1907.
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