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Carving schools balanced producing art for their own people with commercial works, with many of the most successful being Te Arawa (Ngāti Whakaue, Ngāti Pikiao and Ngāti Tarāwhai), located near Rotorua, during the tourism boom to the area in the 1870s, with an increased need for carved works such as the model village at Whakarewarewa, and ...
House carving showing Kupe (holding a paddle), with two sea creatures at his feet. David Simmons said "A search for the sources of what I now call 'The Great New Zealand Myth' of Kupe, Toi and the Fleet, had surprising results. In this form they did not exist in the old manuscripts nor in the whaikorero [16] of learned men. Bits and pieces ...
Kahungunu depicted with the canoe paddle of a navigator in a carving at the canoe house at Waitangi Treaty Grounds, Waitangi. Kahungunu was a Māori ariki (chieftain) of the Tākitimu tribal confederation and ancestor of the Ngāti Kahungunu and Te Aitanga-a-Māhaki iwi. He probably lived in the late fifteenth century. [1]
Toi whakairo or just whakairo is the Māori traditional art of carving [98] in wood, stone or bone. Some surviving whakairo, or carvings, are over 500 years old. Wood carvings were used to decorate houses, fence-poles, containers, taiaha, tool handles, and other objects. Large-scale stone-face carvings were sometimes created.
Entry to Maori pā at 1906 Christchurch International Exposition, carving by Hori Pukehika. His carving was reproduced and used on the cover of the souvenir booklet for the Exhibition. [15] He and Tuta Niho-Niho lived at the model pā for nearly six months. Approximately 65,000 people visited the pā. [16]
Taiapa was born at Tikitiki on the East Coast in 1912, one of 14 children of Tāmati Taiapa and Maraea Te Iritawa. [2] [5] In the early 1930s he went to assist his brother Pine, who was a student of carving at a school of Māori arts and crafts that had been established at Ohinemutu in Rotorua in 1927. [6]
Uenuku (or Uenuku-Kōpako, also given to some who are named after him [1]) is an atua of rainbows and a prominent ancestor in Māori tradition.Māori believed that the rainbow's appearance represented an omen, and one kind of yearly offering made to him was that of the young leaves of the first planted kūmara crop. [2]
The carving was found buried close to the lake's shore in 1906 when a farmer was draining swampland, and spent some time in the R.W. Bourne collection before being acquired by the Te Awamutu Museum. [citation needed] The work was the centrepiece of the Te Maori exhibition which toured North America and New Zealand in the early to mid-1980s. [6]
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