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Carving schools balanced producing art for their own people with commercial works, with many of the most successful being Te Arawa (Ngāti Whakaue, Ngāti Pikiao and Ngāti Tarāwhai), located near Rotorua, during the tourism boom to the area in the 1870s, with an increased need for carved works such as the model village at Whakarewarewa, and ...
Hōne Te Kāuru Taiapa MBE (10 August 1912 [1] – 10 May 1979), also known as John Taiapa, [2] was a Māori master wood carver (tohunga whakairo) and carpenter of Ngāti Porou. He was the younger brother of master Māori carver Pine Taiapa . [ 3 ]
The Institute was responsible for carving the Māhau stage used for the world’s largest Māori cultural festival, Te Matatini. [10] Made from over 26 tonnes of native wood, 5 tonnes of steel and 36 tonnes of concrete it is the largest Māori carved structure in existence at 30m across and over 13m high. [11]
The carving was found buried close to the lake's shore in 1906 when a farmer was draining swampland, and spent some time in the R.W. Bourne collection before being acquired by the Te Awamutu Museum. [citation needed] The work was the centrepiece of the Te Maori exhibition which toured North America and New Zealand in the early to mid-1980s. [6]
Pouwhenua in front of Civic Offices, Hereford Street, Christchurch, New Zealand. Pouwhenua or pou whenua (land post), are carved wooden posts used by Māori, the indigenous peoples of New Zealand to mark territorial boundaries or places of significance.
Toi whakairo or just whakairo is the Māori traditional art of carving [98] in wood, stone or bone. Some surviving whakairo, or carvings, are over 500 years old. Wood carvings were used to decorate houses, fence-poles, containers, taiaha, tool handles, and other objects. Large-scale stone-face carvings were sometimes created.
Uenuku (or Uenuku-Kōpako, also given to some who are named after him [1]) is an atua of rainbows and a prominent ancestor in Māori tradition.Māori believed that the rainbow's appearance represented an omen, and one kind of yearly offering made to him was that of the young leaves of the first planted kūmara crop. [2]
Entry to Maori pā at 1906 Christchurch International Exposition, carving by Hori Pukehika. His carving was reproduced and used on the cover of the souvenir booklet for the Exhibition. [15] He and Tuta Niho-Niho lived at the model pā for nearly six months. Approximately 65,000 people visited the pā. [16]
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