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Wooden Māori carvings are often painted to pick out features. Before modern paints were available this was often a mixture of kōkōwai (red ochre) and shark-liver oil. This was thought to preserve the carvings and also imbue them with a tapu (sacred) status. [ 8 ]
Pouwhenua or pou whenua (land post), are carved wooden posts used by Māori, the indigenous peoples of New Zealand to mark territorial boundaries or places of significance. They are generally artistically and elaborately carved and can be found throughout New Zealand. [1]
The Institute was responsible for carving the Māhau stage used for the world’s largest Māori cultural festival, Te Matatini. [10] Made from over 26 tonnes of native wood, 5 tonnes of steel and 36 tonnes of concrete it is the largest Māori carved structure in existence at 30m across and over 13m high. [11]
Traditionally, matau, or fishhooks, were carved from bone, ivory, shell, wood, or pounamu; composite hooks were also common. [3] [4] They came in several different forms. There are multiple apparently functional matau forms, but the functions of some are not known. [3] [5] Some were plain and utilitarian; others highly ornate. They were worn as ...
The carving was found buried close to the lake's shore in 1906 when a farmer was draining swampland, and spent some time in the R.W. Bourne collection before being acquired by the Te Awamutu Museum. [citation needed] The work was the centrepiece of the Te Maori exhibition which toured North America and New Zealand in the early to mid-1980s. [6]
Between 1985 and 1987 Grant completed his first whare whakairo (carved house, meeting house), Te Matapihi o te Rangi at Te Papa o te Aroha Marae in Tokoroa. [4] His second whare whakairo was Ihenga at Tangatarua Marae, on the Waiariki Institute of Technology campus in Rotorua. Ihenga was completed between 1993 and 1996.
A 19th-century carving of a tattooed Maori from kauri gum. The carving is owned and displayed by the Dargaville Museum, New Zealand. Kauri gum is resin from kauri trees (Agathis australis), which historically had several important industrial uses. It can also be used to make crafts such as jewellery.
Most of the original wood carvings were either spirited away by early European collectors or were burned in large numbers by missionary zealots. Today, carving is no longer the major art form with the same spiritual and cultural emphasis given to it by the Maori in New Zealand. However, there are continual efforts to interest young people in ...
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