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In an interview with thecelebritycafe.com, Eliot Sloan said "when I sing 'Love will find a way,' I mean 'God will find a way,'" and that he has always believed that "God is love". While the song uses fairly subtle Christian themes, as do many of the band's songs, they tried to make it not sound too preachy. [4]
"I Believe" is a song by American vocal and instrumental ensemble Sounds of Blackness. It was produced by Jimmy Jam & Terry Lewis and was written by the duo along with: Marvin R. Pierce, Ralph Middlebrooks, Eugene Marshall Jones, Clarence Satchell, Gregory Allen Webster and Walter Junie Morrison.
The song is often misinterpreted as a DJ Premier track featuring Rakim, Nas and KRS-ONE and excluding Kanye West. This is due to a popular upload of the music video on YouTube where DJ Premier is credited as the artist and Kanye West's opening verse is removed from the video. [2] The music video itself was released for the DJ Premier Remix of ...
"I Believe" is a song by British house studio project Happy Clappers, featuring singer Sandra Edwards on vocals, released by Shindig, EastWest and PWL International as the debut single from the project's only album, Games (1997).
An instrumental or instrumental song is music normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. [1] [2] [3] The music is primarily or exclusively produced using musical ...
"I Still Believe" is a song written and composed by Antonina Armato and Giuseppe Cantarelli, and originally recorded by pop singer Brenda K. Starr for her eponymous second studio album, Brenda K. Starr (1987). It is a ballad in which the singer is confident she and her former boyfriend will be together again one day.
"Come to Life" is a gospel song. [1] The instrumental features cascading, overlapping pianos and guitar chords. [2] A sample of David Paul Moten's sermon is heard at the beginning, with it being used throughout the song. Moten later claimed that West and his team did not seek permission to use the sample prior to the song's release.
The remix of the song helped the song gain international recognition after it was featured on a Snapchat filter and on video-sharing app TikTok where it received over 4.5 billion plays in the month of April 2020. [5] [6] [7] On May 27, 2020, a second remix produced by Quay Global and Fallen was released with American rapper Future. [8]