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Peak-to-peak amplitude (abbreviated p–p or PtP or PtoP) is the change between peak (highest amplitude value) and trough (lowest amplitude value, which can be negative). With appropriate circuitry, peak-to-peak amplitudes of electric oscillations can be measured by meters or by viewing the waveform on an oscilloscope .
Graph of a sine wave's voltage vs. time (in degrees), showing RMS, peak (PK), and peak-to-peak (PP) voltages. If the waveform is a pure sine wave, the relationships between amplitudes (peak-to-peak, peak) and RMS are fixed and known, as they are for any continuous periodic wave. However, this is not true for an arbitrary waveform, which may not ...
The peak-to-average power ratio (PAPR) is the peak amplitude squared (giving the peak power) divided by the RMS value squared (giving the average power). [1] It is the square of the crest factor. When expressed in decibels, crest factor and PAPR are equivalent, due to the way decibels are calculated for power ratios vs amplitude ratios.
Peak-to-peak (sometimes abbreviated as p-p) amplitude (V PP) refers to the total voltage swing of a signal, which is double the peak amplitude of the signal. For instance, a signal with a peak amplitude of ±0.5 V has a p-p amplitude of 1.0 V.
Depending on context, wave height may be defined in different ways: For a sine wave, the wave height H is twice the amplitude (i.e., the peak-to-peak amplitude): [1] =.; For a periodic wave, it is simply the difference between the maximum and minimum of the surface elevation z = η(x – c p t): [1] = {()} {()}, with c p the phase speed (or propagation speed) of the wave.
A potential for ambiguity exists when assigning a level on the dBFS scale to a waveform rather than to a specific amplitude, because some engineers follow the mathematical definition of RMS, which for sinusoidal signals is 3 dB below the peak value, while others choose the reference level so that RMS and peak measurements of a sine wave produce ...
Although average power is the same as PEP for complex modulation forms, such as FSK, the peak envelope power bears no particular ratio or mathematical relationship to longer-term average power in distorted envelopes, such as a CW waveform with power overshoot, or with amplitude modulated waveforms, such as SSB or AM voice transmissions. Typical ...
Peak normalization adjusts the recording based on the highest signal level present in the recording. Loudness normalization adjusts the recording based on perceived loudness . Normalization differs from dynamic range compression , which applies varying levels of gain over a recording to fit the level within a minimum and maximum range.