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On the north wall of the chancel there is a Jacobean wall monument. The oldest monument in the church stands on the north wall of the sanctuary, the tomb of Nicholas Grene dating from the 14th century. [2] The tomb of James Harington (c. 1511 – 1592) and Lucy Harington is nearby. [4] Anne Chichester's monument
Flags and banners used by church-related organizations may also stand on the floor around the pulpit. In the Reformed tradition, though avoiding figurative art, pulpits were increasingly important as a focus for the church, with the sanctuary now comparatively bare and de-emphasized, and were often larger and more elaborately decorated than in ...
To the east of the sanctuary, a retaining wall was built to prevent the ground from rising to the east and north of the sanctuary, creating a trench towards the sanctuary. In the area of the heating extension, this trench is about 1.80 meters deep, [ 31 ] so that only the roof of the extension is visible from the cemetery.
This is an arch which separates the chancel from the nave and transept of a church. [4] If the chancel, strictly defined as choir and sanctuary, does not fill the full width of a medieval church, there will usually be some form of low wall or screen at its sides, demarcating it from the ambulatory or parallel side chapels.
Nineteenth-century wooden and iron altar rails in St Pancras Church, Ipswich. The altar rail (also known as a communion rail or chancel rail) is a low barrier, sometimes ornate and usually made of stone, wood or metal in some combination, delimiting the chancel or the sanctuary and altar in a church, [1] [2] from the nave and other parts that contain the congregation.
While a reredos generally forms or covers the wall behind an altar, [2] a retable is placed either on the altar or immediately behind and attached to the altar. "Many altars have both a reredos and a retable." [3] But this distinction may not always be observed. The retable may have become part of the reredos when an altar was moved away from ...
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