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Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
Dodging and burning are techniques used during the printing process to manipulate the exposure of select areas on a photographic print, deviating from the rest of the image's exposure. In a darkroom print from a film negative, dodging decreases the exposure for areas of the print that the photographer wishes to be lighter, while burning ...
Download as PDF; Printable version ... darkroom photography and digital techniques while the school ... a canny blend of analog photography and ...
A darkroom is used to process photographic film, make prints and carry out other associated tasks. It is a room that can be made completely dark to allow the processing of light -sensitive photographic materials, including film and photographic paper .
For example, Ansel Adams used darkroom exposure techniques to darken and lighten photographs. Other techniques include retouching using ink or paint, airbrushing, double exposure, piecing photos or negatives together in the darkroom, and scratching instant films. Software for digital image manipulation ranges from casual to professional skillsets.
S. Sabattier effect; Sandwich printing; Satellite Image Time Series; Scanography; Scientific Working Group – Imaging Technology; Selective color; Shallow focus
The pseudo-solarization effect was described in print by H. de la Blanchère in 1859 in L’Art du Photographe. [citation needed] It was described again in 1860 by L.M. Rutherford and C.A. Seely, [8] separately, in successive issues of The American Journal of Photography, and in the same year by Count Schouwaloff in the French publication Cosmos.
A chemogram (from "chemistry", "optic" and gramma, Greek for "things written") [1] is an experimental art where a photographic image is partly or fully enlarged and processed onto photographic paper in the darkroom and afterwards selectively painted over in full light with chemicals used in photographic processing.