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The speaker is named after its inventor, Donald Leslie, who began working in the late 1930s to get a speaker for a Hammond organ that better emulated a pipe or theatre organ, and discovered that baffles rotating along the axis of the speaker cone gave the best sound effect. Hammond was not interested in marketing or selling the speakers, so ...
Thomas 2001 Organ (c.1976) The Thomas Organ Company is an American manufacturer of electronic keyboards and a one-time holder of the manufacturing rights to the Moog synthesizer. The company was a force behind early electronic organs for the home. It went out of business in 1979 but reopened in 1996.
Leslie assembled the speakers himself in his garage. [4] He produced speakers under various names before settling on Leslie as the universally accepted name by 1949. [5] Also in 1949, Leslie was granted a patent for his "rotatable tremulant sound producer," [6] the first of 48 patents that Leslie would acquire over the course of his career. [5]
A feature not found on the 1979 CX-3 or on the vintage Hammond B-3 is the 2001 CX-3's EX mode, which enables the user to produce new and even unusual synthesized sounds using the tonewheel synthesis engine. The CX-3 does not have an 11-pin Leslie speaker jack, a feature found on vintage Hammond B-3's and on earlier clonewheel organs.
Some Hammond staff thought Laurens Hammond was being irrational and autocratic towards Leslie, but Don Leslie later said it helped give his speakers publicity. [104] The Leslie company was sold to CBS in 1965, and the following year, Hammond finally decided to officially support the Leslie speaker. The T-200 spinet, introduced in 1968, was the ...
Model Name / Number Years sold new Description Berkshire Deluxe TBO-1 1968 Organ with 2 44 key manuals, 13 bass pedals, built-in spring reverb, Leslie effect, and marimba effect famously known from Baba O'Riley by The Who played by Pete Townshend. [2] The TBO-1 is a slightly upgraded version of the older but otherwise identical Berkshire TBO ...
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Some models of speaker also contained rotary and stationary speakers, with separate power amplifiers, which were used on non-Hammond organs such as Lowrey or Wurlitzer. [4] Sharma speakers fell out of favour due to the introduction of low-cost electronics that could emulate the rotating speaker sound. [citation needed]