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Conservation-restoration is the practice of cleaning and discovering the original state of an object, investigating the proper treatments and applying those treatments to restore the object to its original state without permanently altering the object, and then preserving the object to prevent further deterioration for generations to come (Caple, p. 5-6). [1]
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.
The Conservation Architect must consider factors that deal with issues of prolonging the life and preserving the integrity of architectural character, such as form and style, and/or its constituent materials, such as stone, brick, glass, metal, and wood.
#6 Museum Glass vs. Regular Glass. Image credits: dadooob. The British Lawnmower Museum in the UK is about the history of the grass-cutting device, which dates back to the late 1700s. It displays ...
Glass thicknesses typically range from 2.0 to 2.5 millimetres (0.079 to 0.098 in). Clear glass has light transmission of approximately 90%, absorption of approximately 2%, and reflection of approximately 8%. Whereas absorption can be reduced by using low-iron glass, reflection can only be reduced by an anti-reflective surface treatment.
Conservation staff for both the Smithsonian American Art Museum and the National Portrait Gallery are visible to the public through floor-to-ceiling glass walls that allow visitors to see firsthand all the techniques that conservators use to examine, treat and preserve artworks within a functioning conservation Laboratory.
Keeping up to date with the latest conservation techniques and practices, through research and training. [7] Conservation is a young profession, which means it continues to evolve over time and conservators must be able to keep up to date with the latest trends. Advising on procedures for the safe exhibition and travel of cultural materials .
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related to: museum glass vs conservation