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Plato's allegory of the cave by Jan Saenredam, according to Cornelis van Haarlem, 1604, Albertina, Vienna. Plato's allegory of the cave is an allegory presented by the Greek philosopher Plato in his work Republic (514a–520a, Book VII) to compare "the effect of education (παιδεία) and the lack of it on our nature".
The Matrix is an example of the cyberpunk subgenre of science fiction. [8] The Wachowskis' approach to action scenes was influenced by anime [9] and martial arts films (particularly fight choreographers and wire fu techniques from Hong Kong action cinema); other influences include Plato's cave and 1990s Telnet hacker communities.
The films' premise resembles Plato's Allegory of the cave, René Descartes's evil demon, Kant's reflections on the Phenomenon versus the Ding an sich, Zhuangzi's "Zhuangzi dreamed he was a butterfly", Marxist social theory and the brain in a vat thought experiment.
Plato's disquiet is focused on popularisers of subtle interpretation, not on the method itself ... [10] The core of Plato's philosophy is the Theory of Forms (or Ideas), and many writers have seen in this metaphysical theory a justification for the use of literary allegory. Fletcher, for example, wrote:
In Plato's Allegory of the Cave, we are like prisoners chained in a cave who see only the shadows cast by the Forms and think the shadows, rather than the hidden Forms, are real. Painting of Plato's cave by Michiel Coxie, circa 1540. Plato's Theory of Forms asserts that the world which appears to our senses derives from the perfect, unchanging ...
There is an illustrated interpretation of Plato's allegory of the cave in the graphic novel Blankets (2003), by Craig Thompson. There is slight representation of Plato's allegory of the cave in The Tale of Despereaux (2003) by Kate DiCamillo between characters Despereaux and Roscuro.
In the Western philosophical tradition, Plato's allegory of the cave, presented in the 4th century BCE, stands out as an influential example. René Descartes' evil demon philosophically formalized these epistemic doubts, to be followed by a large literature with subsequent variations like brain in a vat.
The first several chapters of The Cave and the Light focus on Socrates and his pupil Plato, as well as earlier philosophers whose ideas they built on: Pythagoras, Heraclitus, Parmenides. Herman next introduces Aristotle, a pupil of Plato who went on to develop a philosophical model at odds with Plato's.