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The conservation-restoration of panel paintings involves preventive and treatment measures taken by paintings conservators to slow deterioration, preserve, and repair damage. Panel paintings consist of a wood support, a ground (linen or parchment sized with glues , resin , and gesso ), and an image layer ( encaustic , tempera , oil ). [ 1 ]
Acrylic paint can be removed from nonporous plastic surfaces such as miniatures or models using cleaning products such as Dettol (containing chloroxylenol 4.8% v/w). [22] An acrylic sizing should be used to prime canvas in preparation for painting with acrylic paints, to prevent Support Induced Discoloration (SID).
Splined canvas can be restretched by adjusting the spline. Stapled canvases stay stretched tighter over a longer period of time, but are more difficult to re-stretch when the need arises. Canvas boards are made of canvas stretched over and glued to a cardboard backing, and sealed on the backside. The canvas is typically linen primed for a ...
In construction, a building or structure is waterproofed with the use of membranes and coatings to protect contents and structural integrity. The waterproofing of the building envelope in construction specifications is listed under 07 - Thermal and Moisture Protection within MasterFormat 2004, by the Construction Specifications Institute, and includes roofing and waterproofing materials.
A restored gesso panel representing St. Martin of Tours, from St. Michael and All Angels Church, Lyndhurst, Hampshire. Gesso (Italian pronunciation:; 'chalk', from the Latin: gypsum, from Greek: γύψος), also known as "glue gesso" or "Italian gesso", [1] is a white paint mixture used to coat rigid surfaces such as wooden painting panels or masonite as a permanent absorbent primer substrate ...
Canvas boards are made of cotton canvas, primed to absorb paint, then stretched over and glued on a stiff backing (usually medium-density fiberboard, or MDF). Boards are ideal for beginners ...
It can be used on canvas panels, illustration boards, paper, wood, and masonite. Because the dried paint film is inflexible and brittle, it is not appropriate for heavy impasto on flexible supports like canvas; canvas laminated to board is more suitable.
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