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The Incredible Bongo Band's rendition of this instrumental was the theme music for Atlantic Grand Prix Wrestling telecasts on the former ATV network in Maritime Canada during the 1970s and the 1980s. The song reached #66 on the Canadian RPM charts. [8] It was also featured in "The Tenth Inning", an episode of Ken Burns' Baseball. [9]
"Bongo Bong" is the first solo single by Manu Chao, from his debut album, Clandestino. It is a remake of "King of Bongo", a track from Manu Chao's previous band, Mano Negra . The title and lyrics are taken from the 1939 jazz song "King of Bongo Bong" by Black American trumpeter Roy Eldridge .
"Bongo Rock" is a rock and roll instrumental recorded by Preston Epps, written by Epps and Arthur Egnoian. [1] Released as a single in 1959, it charted #14 Pop in the United States, [2] and #4 in Canada. [3] It was included in Epps' 1960 album Bongo Bongo Bongo. [4] The Surfaris' 1963 hit single "Wipe Out" was based on this song. [5]
The Incredible Bongo Band, also known as Michael Viner's Incredible Bongo Band, was a project started in 1972 by Michael Viner, a record artist manager and executive at MGM Records, producer, MGM Records executive and Curb Records founder Mike Curb and arranger Perry Botkin Jr. [1] [2] Viner was called on to supplement the soundtrack to the B-film The Thing With Two Heads. [3]
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Owerri Bongo (Bongo/Igbo Bongo) is a style of Igbo highlife music that has its origins in the Igbo people of Owerri and spread around all Imo State, which is in eastern Nigeria. The musical style is a sub-genre of Igbo highlife music. [1] Unlike Igbo highlife, which is known for its brass horns and often somber feel.
Bongo is a term which was originally used to refer the Tanzanian city of Dar es Salaam. [5] Outside Tanzania, Bongo is often referring to Tanzania. [6] Bongo as a term originated in the late 70's during a very difficult time following both the global fuel shocks of the 70's and the Kagera war against Uganda.
A composer and drummer, Costanzo is best known for having been a bongo player, and was nicknamed "Mr. Bongo". He visited Havana three times in the 1940s and learned to play Afro-Cuban rhythms on the bongos and congas. Costanzo started as a dancer, touring as a team with his wife before World War II.
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