Search results
Results from the WOW.Com Content Network
In 2008, John Hudson, scholar and theatre producer, introduced the idea that Lanier wrote the works of Shakespeare. [2] [5] [6] Hudson found similarities between the works of Shakespeare and Lanier's poetry book Salve Deus Rex Judaeorum. He also noted her educated background and cosmopolitan upbringing as support of the idea.
Gertrude Barrows Bennett (September 18, 1884 – February 2, 1948), known by the pseudonym Francis Stevens, was a pioneering American author of fantasy and science fiction. [3] Bennett wrote a number of fantasies between 1917 and 1923 [ 4 ] and has been called "the woman who invented dark fantasy ".
Shakespeare on the other hand shared a reciprocal love with both his lovers; the objects of his love were “articulate, active partners.” [20] Shakespeare's sonnets are divided between his two lovers: sonnets 1–126 for a male, and sonnets 127–152 for a female; the first to a fair youth, and the second to a dark lady. Petrarch's sonnets ...
A strict definition for dark fantasy is difficult to pin down. Gertrude Barrows Bennett has been called "the woman who invented dark fantasy". [2] Both Charles L. Grant [3] and Karl Edward Wagner [4] are credited with having coined the term "dark fantasy"—although both authors were describing different styles of fiction.
The first book by Charlotte Stopes on Shakespearean matters was The Bacon/Shakespeare Question (1888), which examined attitudes on particular details found both in Bacon's works and in those attributed to Shakespeare. Mrs Stopes concluded that there were fundamental differences, arguing that Bacon was not the author.
Anthony Holden says that the book became "something of a publishing phenomenon" – a 750-page survey of Shakespeare which gained bestseller status and drew widespread attention to its author. "If his analyses are boldly colloquial," says Holden, "at times so sounding almost as if they were dictated, his insights are unfailingly original and ...
Oxfordian researchers believe that the play is an early version of Shakespeare's own play, and point to the fact that Shakespeare's version survives in three quite different early texts, Q1 (1603), Q2 (1604) and F (1623), suggesting the possibility that it was revised by the author over a period of many years.
The Dark Lady sonnets delve into sexuality, jealousy, and beauty. [11] The first sonnet of this series, Sonnet 127, begins with Shakespeare's Speaker apologizing for his mistress's un-ideal beauty, associated with old age. [12] Instead of shying away from unauthentic interpretation, he emphasizes his mistress's cruel and "black" state. [13]