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  2. Aeolian dominant scale - Wikipedia

    en.wikipedia.org/wiki/Aeolian_dominant_scale

    The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode.

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Aeolian mode or natural minor scale: Aeolian on C. Play ... Bebop dominant scale on C. Play ...

  4. Aeolian mode - Wikipedia

    en.wikipedia.org/wiki/Aeolian_mode

    The Aeolian mode is the sixth mode of the major scale, that is, it is formed by starting on the sixth degree of the major scale. For example, if the Aeolian mode is used in its all-white-note pitch based on A, this would be an A-minor triad, which would be the submediant in the relative major key of C major.

  5. Mode (music) - Wikipedia

    en.wikipedia.org/wiki/Mode_(music)

    Dominant triad: G (in modern tonal thinking, the fifth or dominant scale degree, which in this case is G, is the next-most important chord root after the tonic) Seventh chord on the dominant : G 7 (a dominant seventh chord , so-called because of its position in this – and only this – modal scale)

  6. Mixolydian mode - Wikipedia

    en.wikipedia.org/wiki/Mixolydian_mode

    This medieval theoretical construction led to the modern use of the term for the natural scale from G to G. The seventh mode of western church music is an authentic mode based on and encompassing the natural scale from G to G, with the perfect fifth (the D in a G to G scale) as the dominant, reciting note or tenor.

  7. Degree (music) - Wikipedia

    en.wikipedia.org/wiki/Degree_(music)

    Aeolian Tonal center, note of final resolution A A 0 2 Supertonic: Dorian: Locrian One whole step above the tonic B B 2 3 Mediant: Phrygian: Ionian Midway between tonic and dominant, (in minor key) tonic of relative major key C ♯ C 3-4 4 Subdominant: Lydian: Dorian Lower dominant, happens to have the same interval below tonic as dominant is ...

  8. Minor scale - Wikipedia

    en.wikipedia.org/wiki/Minor_scale

    the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:

  9. Half diminished scale - Wikipedia

    en.wikipedia.org/wiki/Half_diminished_scale

    The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.