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Cattle Decapitation's songs protest the exploitation and consumption of animals, the abuse of the environment and subjects such as misanthropy and genocide of the human race. Much of the band's music is based on putting humans in the situations that animals are subjected to, for example animal testing, slaughter, etc.
Humanure is the second studio album by American deathgrind band Cattle Decapitation. [3] [4] [5] It was released on July 13, 2004 through Metal Blade Records and has been noted for its iconic cover art, depicting a cow defecating what appears to be human body parts in a wasteland environment — the image has been compared to the artwork for Pink Floyd’s album Atom Heart Mother.
Karma.Bloody.Karma is the third studio album by deathgrind band Cattle Decapitation. [5] [6] It was released on July 11, 2006.The track "Total Gore?" features guest vocals from Joey Karam of The Locust.
Death Atlas is the seventh studio album by American death metal band Cattle Decapitation.It was released on November 29, 2019, via Metal Blade Records.Its release coincided with Black Friday and came more than four years after their previous studio album, 2015's The Anthropocene Extinction.
It was announced that Myspace lost 12 years worth of content in a server migration gone wrong. So that meant any songs, photos and videos uploaded to the site between 2003-2015 were straight up ...
Monolith of Inhumanity is the fifth studio album by American death metal band Cattle Decapitation, released on May 8, 2012. [1] Upon its release, it was met with positive reviews praising the addition of melody into their sound. [2]
Gabriel Serbian (May 1, 1977 – April 30, 2022 [1]) was an American drummer and guitarist, most famous for his work in The Locust, Cattle Decapitation, Holy Molar and Zu.He was also a member of Head Wound City, a hardcore/punk rock supergroup.
The Harvest Floor is the fourth studio album by American deathgrind band Cattle Decapitation.It was released through Metal Blade Records on January 20, 2009. The album was recorded and mixed at Sharkbite studios in Oakland, California, with engineering and production handled by Billy Anderson. [1]