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Cover of the Saturday Evening Post, February 4, 1922, entitled Flapper by Ellen B.T. Pyle.. Ellen Bernard Thompson Pyle (November 11, 1876 – August 1, 1936) was an American illustrator best known for the 40 covers she created for The Saturday Evening Post in the 1920s and 1930s under the guidance of Post editor-in-chief, George Horace Lorimer.
Rockwell was published eight times on the Post cover within the first year. Ultimately, Rockwell published 323 original covers for The Saturday Evening Post over 47 years. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song.
The Saturday Evening Post published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry with contributions submitted by readers, single-panel gag cartoons, including Hazel by Ted Key, and stories by leading writers of the time. It was known for commissioning lavish illustrations and original ...
Stevan Dohanos (May 18, 1907 – July 4, 1994) was an American artist and illustrator of the social realism school, best known for his Saturday Evening Post covers, and responsible for several of the Don't Talk set of World War II propaganda posters. [1] He named Grant Wood and Edward Hopper as the greatest influences on his painting.
Falter used his friend, radio actor J. Scott Smart, as a model for Gramercy Park, the cover of the March 25, 1944 issue of The Saturday Evening Post. John Philip Falter (February 28, 1910 – May 20, 1982) was an American artist best known for his many cover paintings for The Saturday Evening Post.
In addition to his work on the 1948 Popular Library edition of Anita Loos's Gentlemen Prefer Blondes, Bergey painted cover art for well-known authors from Émile Zola to the Western master, Zane Grey, whose 1951 Pocket Books edition cover painting for The Spirit of the Border is a Bergey classic. Many of his paperbacks are now cult classics ...
Falter painted close to 200 covers like this one for The Saturday Evening Post while he was alive. And illustration art is actually a pretty popular item these days - hence, the huge price tag for ...
The painting was created for the cover of an edition of The Saturday Evening Post, published on 6 July 1946, [2] from sketches that Rockwell made in March 1946. It depicts the cleaning of the amber-coloured glass of the torch, an operation undertaken annually each July. [3]
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