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The ladder back chair with a woven rush seat is the typical French Provincial dining chair. Finishes vary though common to all colours is the accumulation of polish or grime in the carving over time resulting in an aged patina and emphasis on the carving regardless of whether the furniture is painted or stained.
The armchairs chairs of the early Louis XIV style had legs in a form called en gaine or en balustre, which were lavishly decorated with sculpted and often gilded ornaments called godsons, cannelures and feuillages, or leaves. The four legs were connected for support by a cross beam under the chair in the form of an H, which evolved into an X.
The legs were more curved, the top of the back was rounded, and often had a small ornamental design. The back of the chair took on a more graceful violin form. This form became known as the Chaise à la Reine, or "Chair of the Queen." [11] A variety of other new forms appeared, designed especially for comfort.
A set of four of these chairs was made by Jean-Baptiste-Claude Sené for Madame Elizabeth, sister of Marie-Antoinette, and was delivered in 1789, the year of the beginning of the French Revolution. [9] Another original type that appeared under Louis XVI was the Fauteul de Bureau, or office chair. A set was made by Henri Jacob, brother of ...
A fauteuil (elbow chair) A Louis XVI-style fauteuil gold foiled chair with faux pearls and ottoman. A fauteuil (French:) is a style of open-armchair with a primarily exposed wooden frame originating in France during the early 17th century. A fauteuil is made of wood and frequently with carved relief ornament.
Directoire style (French pronunciation: [diʁɛktwaʁ] ⓘ) was a period in the decorative arts, fashion, and especially furniture design in France concurrent with the Directory (November 2, 1795–November 10, 1799), the later part of the French Revolution.
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