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Damask (/ˈdæməsk/; Arabic: دمشق) is a woven, reversible patterned fabric. Damasks are woven by periodically reversing the action of the warp and weft threads. [1] The pattern is most commonly created with a warp-faced satin weave and the ground with a weft-faced or sateen weave. [2]
Kogin-zashi patterns as depicted in Sadahiko Hibino's Ouminzui, written in 1788. During the Edo period, peasants were not permitted to wear cotton cloth in the Tsugaru region. Peasants initially attempted to stay warm by wearing multiple layers of linen, but the fabric frayed easily. As a solution, cotton thread was added as embroidery to linen ...
Rosa × damascena (Latin for damascene rose), more commonly known as the Damask rose, [1] [2] or sometimes as the Iranian Rose, Bulgarian rose, Taif rose & "Emirati rose", Ispahan rose, Castile rose, and Đulbešećerka (Bosnia and Herzegovina and the Balkans) is a rose hybrid, derived from Rosa gallica and Rosa moschata. [3]
The coat of arms of Selbu, featuring three selburoses Selbuvotter, Selbu mittens, featuring the selburose Detail of the pattern on a sweater. In Norwegian knitting, a selburose (Norwegian: [ˈsæ̀ɽbʉˌɾuːsə]) is a knitted rose pattern in the shape of a regular octagram.
Twentieth-Century Pattern Design, Princeton Architectural Press, New York, 2002. ISBN 1-56898-333-6; Jackson, Lesley. Shirley Craven and Hull Traders: Revolutionary Fabrics and Furniture 1957-1980, ACC Editions, 2009, ISBN 1-85149-608-4; Jenkins, David, ed. The Cambridge History of Cambridge, UK: Cambridge University Press, 2003, ISBN 0-521-34107-8
Chintz jacket and neckerchief with glazed printed cotton petticoat. 1770–1800. MoMu, Antwerp.. Chintz (/ tʃ ɪ n t s / [1]) is a woodblock printed, painted, stained or glazed calico textile that originated in Golconda (present day Hyderabad, India) in the 16th century.
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