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Frank Thurmond Fairfax (25 November 1899 – 25 January 1972) was the organizer of Philadelphia's Protective Union Local 274 (1935–1971), a charter of the American Federation of Musicians (AFM/AFofM) for black musicians. Fairfax was also a bandleader, musician, music arranger and songwriter, performing in Philadelphia and other northeastern ...
Musicians authorized a strike against the Philadelphia Orchestra if bargaining breaks down for an agreement to replace the four-year deal that expires on Sept. 10. Local 77 of the American ...
The Philadelphia Clef Club of Jazz and Performing Arts, INC. (PCC) is a tax-exempt, non-profit educational and cultural organization. It was founded in 1966 by members of Musicians' Protective Union Local #274, American Federation of Musicians (A F of M). Local #274 was chartered in 1935 as a separate Black local because Black musicians were ...
The American Federation of Musicians of the United States and Canada (AFM/AFofM) is a 501(c)(5) [3] labor union representing professional instrumental musicians in the United States and Canada. The AFM, which has its headquarters in New York City, is led by president Tino Gagliardi.
The American Federation of Musicians has struck a tentative agreement with the Alliance of Motion Picture and Television Producers, reaching a deal that union leaders hailed as “a watershed ...
The American Federation of Musicians and Employers’ Pension Fund again has applied to the U.S. Treasury Department for permission to reduce benefits for nearly half of its 51,521 participants.
Clark, as the show's host, became a leading American music producer and the show brought attention to Philadelphia's music scene, facilitating the rise of local labels like Swan Records, Cameo-Parkway and Chancellor Records. This system produced pop stars including Fabian, Bobby Rydell and Frankie Avalon. A payola scandal threatened the show ...
On August 1, 1942, the American Federation of Musicians, at the instigation of union president James C. Petrillo, began a strike against the major American record companies because of disagreements over royalty payments. Beginning on midnight, July 31, 1942, no union musician could make commercial recordings for any commercial record company. [1]