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Prom Night was released by Sony Pictures and Screen Gems. The film grossed $20,804,941 in 2,700 theaters in the United States and Canada, ranking #1 at the box office in its opening weekend and averaging $7,705 per theater. It grossed $43,869,350 in the U.S. and a $12,728,210 in other territories for a worldwide total of $56,597,560. [3]
The fourth film, Prom Night IV: Deliver Us from Evil (1992), featured an entirely new plot, following a group of teenagers tormented by a possessed Catholic priest on their prom night. In 2008, Screen Gems released a reboot mainly based on the original film, also titled Prom Night .
Prom Night (film series), a Canadian horror film franchise of five films Prom Night, starring Jamie Lee Curtis and Leslie Nielsen Prom Night: Original Soundtrack from the Motion Picture, a soundtrack album; Prom Night, a loose remake of the 1980 film, starring Brittany Snow and Idris Elba "Prom Night" (That '70s Show), an episode of the ...
Prom Night (2008 film) Prom Night: Original Soundtrack from the Motion Picture This page was last edited on 30 August 2022, at 21:27 (UTC). Text is available ...
Prom Night is a 1980 slasher film directed by Paul Lynch and written by William Gray. Jamie Lee Curtis and Leslie Nielsen star. The film's plot follows a group of high school seniors who are targeted at their prom by a masked killer, seeking vengeance for the accidental death of a young girl six years earlier.
With its $65 million revenue at the North American box office, Friday the 13th is the highest-grossing film among slasher film remakes from the 2000s, which comprise When a Stranger Calls (2006), Black Christmas (2006), Halloween (2007), Prom Night (2008), and My Bloody Valentine 3D (2009). [53]
Just months before his passing, Robin Williams teamed up with Ben Stiller to help their Night at the Museum: Secret of the Tomb co-star Skyler Gisondo ask a girl to his high school prom. In the.
While She Was Out received a 38% approval rating on Rotten Tomatoes, based on 16 reviews. [1] According to the L.A. Weekly, it is a "surprisingly enjoyable female revenge tale", describing Basinger's performance as "first-rate" despite "a laughably check-listed, multi-culti band of thugs". [2]