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Nave of Ognissanti St Jerome in his Study, fresco by Domenico Ghirlandaio, 1480. The chiesa di San Salvatore di Ognissanti, or more simply chiesa di Ognissanti (Italian: [ˈkjɛːza di oɲɲisˈsanti, ˈkjeː-,-dj-]; "Church of All Saints"), [n 1] is a Franciscan church located on the eponymous piazza [] in central Florence, region of Tuscany, Italy.
Florence Cathedral (Duomo di Santa Maria del Fiore) Florence Baptistery (Battistero di San Giovanni) Santissima Annunziata, Florence (Basilica della Santissima Annunziata) Badìa Fiorentina; Chiesa Valdese (Union of Methodist and Waldensian Churches) Gesù Pellegrino; Ognissanti; Orsanmichele; Sant'Agata; Sant'Ambrogio; Sant'Apollonia; Santi ...
Unlike in other paintings by Giotto, the light source in Ognissanti Madonna is located on the right side of the piece as opposed to the left. The meaning behind this is not known for sure, although a few logical reasons for this could be the Ognissanti Madonna's placement within the church or Giotto's use of exaggeration with lighting. [6]
It is in the church of Ognissanti in Florence. Botticelli was born in a house on the same street as the church, still called Via Borgo Ognissanti. He was to live within a minute or two's walk of this all his life, and to be buried in the church. [1]
Saint Jerome in His Study is a fresco by the Italian Renaissance painter Domenico Ghirlandaio, executed in 1480 and located in the church of Ognissanti, Florence.. The work was commissioned by the Vespucci family together with a Saint Augustine in His Study by Sandro Botticelli (1480).
Ognissanti (All Saints) may refer to one of the following Italian churches: Ognissanti, Florence, Tuscany; Ognissanti, Mantua, ... Porta Ognissanti, Padua, Veneto
Pope Gregory announces the death of Santa Fina, in the Collegiate Church of San Gimignano (about 1477) In 1480, Ghirlandaio painted St. Jerome in His Study as a companion piece to Botticelli's Saint Augustine in His Study in the Church of Ognissanti, Florence. [5] He also painted a life-sized Last Supper in its refectory.
The Rucellai Madonna is the earlier of the two works by Duccio for which there is written documentation (the other is the Maestà of 1308–11). The altarpiece was commissioned by the Compagnia dei Laudesi, a lay confraternity devoted to the Virgin, to decorate the chapel they occupied in the transept of the newly built Dominican church of Santa Maria Novella in Florence.