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The Requiem, Op. 9, is a 1947 (revised 1961) setting of the Latin Requiem by Maurice Duruflé for a solo baritone, mezzo-soprano, mixed choir, and organ, or orchestra with organ.
In recordings, the motets are often combined with Duruflé's Requiem, sharing the same approach of polyphonic music based on Gregorian chant. They have been recorded for example by King's College Choir, conducted by Stephen Cleobury and the Corydon Singers conducted by Matthew Best. [3]
In 1947 he completed probably the most famous of his few pieces: the Requiem op. 9, for soloists, choir, organ, and orchestra. He had begun composing the work in 1941, following a commission [5] from the Vichy regime. Also in 1947, Marie-Madeleine Chevalier became his assistant at St-Étienne-du-Mont.
Mark Rochester of Gramophone writes of the 'highly polished, virtually flawless sound of the Houston Chamber Choir' on the project. [6] James Manheim of AllMusic writes 'The album presents all of Duruflé's choral music, which fits conveniently on one CD, and it offers both distinctive performances and really superb recording of an impressive organ.'. [7]
After hearing that he had passed while listening to a recording of the "In Paradisum" movement from his final performance of the Durufle' Requiem with the Master Chorale, KUSC played a performance he conducted when he taught there in 2008 as a memorial radio tribute three days later. His rosary was held at St. Charles Borromeo on May 2, 2014.
"Libera me" ("Deliver me") is a responsory sung in the Office of the Dead in the Catholic Church, and at the absolution of the dead, a service of prayers for the dead said beside the coffin immediately after the Requiem Mass and before burial. The text asks God to have mercy upon the deceased person at the Last Judgment.
Both Faure & Durufle only set part of the text of the Requiem Mass (in fact Durufle broadly set exactly the same text as Faure had set 60 years earlier): neither include the "Day of Judegment" texts ("Dies irae" et seq.) that are such a feature of certain other composers' Requiems (eg, Mozart, Berlioz or Verdi); 2.
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