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Study for a Self-Portrait—Triptych, 1985–86 is a triptych painted between 1985 and 1986 by the Irish-born English artist Francis Bacon. It is a brutally honest examination of the effect of age and time on the human body and spirit and was painted in the aftermath of the deaths of many of his close friends.
In interviews, Bacon said that when he daydreamed, images occurred in "hundreds at a time, some link up with one another." The triptych format was attractive, he believed, because it physically broke the images and prevented forced or constructed narrative interpretation; a tendency in painting to which he was particularly opposed and found banal.
Francis Bacon should definitely not be listed as a "figurative" painter. In his interviews with David Sylvester, "The Brutality of Fact: Interviews with Francis Bacon 1962-1979" (New York: Thames and Hudson, 1987), he is quite critical of figurative art. Figurative art is representational art. Bacon is not a representational artist.
Francis Bacon: Human Presence contains enough variety of works in its climactic sections to account for the stronger and weaker aspects of the later Bacon, while veering thankfully towards the former.
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions , portraits of popes , self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
Here, Deleuze remarks in the final preface of Francis Bacon that Bacon's art is "of a very special violence." [4]: x In saying this, he analyses the content of Bacon's paintings set on fields of color with little visual depth that make "use of spectacles of horror, crucifixions, prostheses and mutilations, monsters." [6]
The Francis Bacon Opera is a comic chamber opera in one act composed by Stephen Crowe. The libretto is based on Crowe's transcript of Melvyn Bragg's interview with the British artist Francis Bacon, filmed for The South Bank Show in 1985. The opera was first performed in its final version on 8 August 2012 in London, and went on to win the Hilton ...
Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painted by the Irish-born British artist Francis Bacon. The canvasses are based on the Eumenides —or Furies—of Aeschylus 's Oresteia , and depict three writhing anthropomorphic creatures set against a flat burnt orange background.
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