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An orchestra pit is an area in a theatre (usually located in a lowered area in front of the stage) in which musicians perform. The orchestra plays mostly out of sight in the pit, rather than on the stage as for a concert, when providing music for forms of theatre that require it (such as opera and ballet) or when incidental music is required
Zappa was unable to tour after being assaulted and pushed offstage into an orchestra pit during a concert on December 10, 1971, at the Rainbow Theatre in London, UK. [ 6 ] The album is mostly made up of instrumental pieces, similar in style to those of three previous albums: Hot Rats (October 1969), Burnt Weeny Sandwich (February 1970), and ...
Orchestral enhancement is the technique of using orchestration techniques, architectural modifications, or electronic technologies to modify the sound, complexity, or color of a musical theatre, ballet or opera pit orchestra. Orchestral enhancements are used both to create new sounds and to add capabilities to existing orchestral ensembles.
The Philadelphia Orchestra and Ensemble Arts Philly present a diverse array of educational offerings, including Jazz For Freedom, which explores social change through the history and traditions of Jazz; Musical Theater Program: Set The Stage, introducing middle school aged students to musical theater; a school ensemble program at KIPP West ...
The orchestra pit is very large and open to the auditorium, with the capacity for up to 110 musicians. The stage complex is one of the largest and most complex of its kind in the world, extending 80 ft (24 m) deep from the curtain line to the rear wall.
A pit orchestra is a type of orchestra that accompanies performers in musicals, operas, ballets, and other shows involving music. The term was also used for orchestras accompanying silent movies when more than a piano was used. [ 1 ]
Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali which is about the role of music in the political economy.. Attali's essential argument in Noise: The Political Economy of Music (French title: Bruits: essai sur l'economie politique de la musique) is that music, as a cultural form, is intimately tied up in the mode of production in any given society.
The orchestra level is raked, sloping down toward an orchestra pit in front of the stage. [45] The orchestra has paneled plasterwork side walls with fabric coverings, as well as lighting sconces. [53] The mezzanine and balcony are both steeply raked. [45] The rear of the mezzanine contains a promenade, similar to that on the orchestra.