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Mamianqun (simplified Chinese: 马面裙; traditional Chinese: 馬面裙; pinyin: mǎmiànqún; lit. 'horse face skirt'), is a type of traditional Chinese skirt. It is also known as mamianzhequn (simplified Chinese: 马面褶裙; traditional Chinese: 馬面褶裙; lit. 'horse-face pleated skirt'), but is sometimes simply referred as 'apron' (Chinese: 围裙; pinyin: wéiqún; lit. 'apron'), a ...
Skirts rose all the way from floor-length to near knee-length in little more than fifteen years (from late in the decade of the 1900s to the mid-1920s). Between 1919 and 1923 they changed considerably, being almost to the floor in 1919, rising to the mid-calf in 1920, before dropping back to the ankles by 1923.
Knee-length, pleated skirts and dropped waists were still popular as everyday clothes in 1929, though Paris designers were already showing longer skirts and higher waistlines. Bridesmaids gowns of 1929 have knee-length underskirts and longer, sheer over skirts, foreshadowing the trend toward longer skirts.
In the early 1970's, some women stayed with the miniskirt, some women went to the other extreme of ankle-length "granny dresses", while fashion designers tried to push an intermediate "midi" skirt length (see illustrations from September 1971 issue of Women's Wear Daily on p. 473 of Survey of Historic Costume ISBN 1-56367-142-5). The strong ...
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
An ankle-length daytime skirt, popular with women in the late 1960s as a reaction against miniskirts. [22] Midi skirt: A skirt with hem halfway between ankle and knee, below the widest part of the calf. Introduced by designers in 1967 as a reaction to very short mini skirts. [22] Miniskirt: A skirt ending between knee and upper thigh, 1960s ...
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