Search results
Results from the WOW.Com Content Network
Bongos playing a cumbia beat. Bongos (Spanish: bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. [1] The pair consists of the larger hembra (lit. ' female ') and the smaller macho (lit. ' male '), which are joined by a wooden bridge. They are played with both hands and ...
Because the fur is left on the hide, the bombo's sound is deep and dark. The bombo is played while hanging to the side of the drummer, who drapes one arm over the drum, to play it from above, while also striking it from the front. The player's hands hold a soft-headed mallet and a stick, which strike drumhead and wooden rim in alternation.
Collection of percussion instruments. This is a wide-ranging, inclusive list of percussion instruments.. It includes: Instruments classified by Hornbostel–Sachs as struck or friction idiophones, struck or friction membranophones or struck chordophones.
He visited Havana three times in the 1940s and learned to play Afro-Cuban rhythms on the bongos and congas. Costanzo started as a dancer, touring as a team with his wife before World War II . After his discharge from the Navy, he worked as a dance instructor at the Beverly Hills Hotel , where Latin band leader Bobby Ramos heard Costanzo playing ...
Growing up in Chicago, Gibson was constantly tapping out rhythms on his desk at school. At age ten he acquired a set of bongos, which he used to perform on the streets and in laundrettes in his neighborhood. [1] In the late 1950s, Gibson began playing with and toured for more than a year with calypso singer Mighty Panther before returning to ...
Sign in to your AOL account.
Among their many shared loves, they bonded over the Velvet Underground and Joy Division. “And these are bands that have repetitive, rolling parts that suck you into an energy and a vibe, and ...
The basic principle when playing claves is to allow at least one of them to resonate. The usual technique is to hold one lightly with the thumb and fingertips of the non-dominant hand, with the palm up. This forms the hand into a resonating chamber for the clave. Holding the clave on top of fingernails makes the sound clearer.