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Bongos playing a cumbia beat. Bongos (Spanish: bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. [1] The pair consists of the larger hembra (lit. ' female ') and the smaller macho (lit. ' male '), which are joined by a wooden bridge. They are played with both hands and ...
A guide to playing Texas Hold’em, the most popular variation of poker at most online and brick-and-mortar casinos ... We will cover the basics for beginners, from how to play Texas Hold’em and ...
Because the fur is left on the hide, the bombo's sound is deep and dark. The bombo is played while hanging to the side of the drummer, who drapes one arm over the drum, to play it from above, while also striking it from the front. The player's hands hold a soft-headed mallet and a stick, which strike drumhead and wooden rim in alternation.
The smaller of a set of two timbales or bongo drums is tuned higher than the larger. The smaller tom-tom drums in a drum kit are tuned higher than the larger ones. Three or more tom-toms are common, each tuned higher than the larger ones and lower than the smaller ones. The male pair in a set of castanets is lower in pitch than the female.
A composer and drummer, Costanzo is best known for having been a bongo player, and was nicknamed "Mr. Bongo". He visited Havana three times in the 1940s and learned to play Afro-Cuban rhythms on the bongos and congas. Costanzo started as a dancer, touring as a team with his wife before World War II.
The basic principle when playing claves is to allow at least one of them to resonate. The usual technique is to hold one lightly with the thumb and fingertips of the non-dominant hand, with the palm up. This forms the hand into a resonating chamber for the clave. Holding the clave on top of fingernails makes the sound clearer.
Cándido Camero Guerra was born in the barrio known as El Cerro, in Havana, to Caridad Guerra and Cándido Camero. [1] [2] [3] His interest in music began at the age of 4, when his maternal uncle Andrés, a professional bongosero for the Septeto Segundo Nacional, taught him to play bongos on condensed milk cans.
Growing up in Chicago, Gibson was constantly tapping out rhythms on his desk at school. At age ten he acquired a set of bongos, which he used to perform on the streets and in laundrettes in his neighborhood. [1] In the late 1950s, Gibson began playing with and toured for more than a year with calypso singer Mighty Panther before returning to ...