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An example: Dieterich Buxtehude's O dulcis Jesu (BuxWV 83) in full score using tablature Keyboard tablature is a form of musical notation for keyboard instruments.Widely used in some parts of Europe from the 15th century, it co-existed with, and was eventually replaced by modern staff notation in the 18th century.
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...
The use of chords labeled G 7alt can create challenges in jazz ensembles where more than one chordal instrument are playing chords (e.g., a large band with an electric guitar, piano, vibes, and/or a Hammond organ), because the guitarist might interpret a G 7alt chord as containing a ♭ 9 and ♯ 11, whereas the organ player may interpret the ...
The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F
Rather than pressing a key, the performer typically strikes each element (e.g., a metal or wood bar) with a mallet. There are some examples of a musical keyboard layout used for non-musical devices. For example, some of the earliest printing telegraph machines used a layout similar to a piano keyboard. [9] [10]
A Jankó keyboard. The Jankó keyboard is a musical keyboard layout for a piano designed by Paul von Jankó, a Hungarian pianist and engineer, in 1882.It was designed to overcome two limitations on the traditional piano keyboard: the large-scale geometry of the keys (stretching beyond a ninth, or even an octave, can be difficult or impossible for pianists with small hands), and the fact that ...
"I Don't Know" is a song by English musician Paul McCartney, released by Capitol Records as a double A-side single alongside "Come On to Me", ahead of McCartney's 17th studio album, Egypt Station. [3] [4] McCartney's website described "I Don't Know" as a "plaintive, soul-soothing ballad as only Paul can deliver." [3]
"I Don't Know" is a blues song written by Brook Benton and Bobby Stevenson, and first recorded by Ruth Brown in 1959. Ruth Brown's recording, made in New York City on March 7, 1959, and issued on Atlantic 45–2035, [ 1 ] [ 2 ] reached number 5 on the Billboard R&B chart in late 1959, and number 64 on the pop chart .
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