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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Outrageous Fortune is a 1987 American comedy film written by Leslie Dixon, directed by Arthur Hiller and starring Shelley Long and Bette Midler. The title is taken from Shakespeare's Hamlet ("...the slings and arrows of outrageous fortune..."). It is the tenth film of Touchstone Pictures.
Outrageous Fortune is a comedy play by the British writer Ben Travers. A farce, it premiered at the Theatre Royal, Newcastle before transferring to the Winter Garden Theatre in London's West End where it ran for 250 performances from 13 November 1947 to 19 June 1948. The West End cast included Robertson Hare, Ralph Lynn and Gordon James. [1]
Outrageous Fortune" is a phrase from the "To be, or not to be" soliloquy spoken by Shakespeare's Hamlet. Outrageous Fortune may also refer to: Outrageous Fortune, a 1947 farce by Ben Travers; Outrageous Fortune, a 1987 Hollywood film; Outrageous Fortune, a New Zealand drama series, produced from 2005 to 2010
Sonnet 124 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
Sonnet 62 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, addressed to the young man with whom Shakespeare shares an intimate but tormented connection. This sonnet brings together a number of themes that run through the cycle: the speaker's awareness of social and ...
William Shakespeare in Hamlet wrote of the "slings and arrows of outrageous fortune" and, of fortune personified, to "break all the spokes and fellies from her wheel." And in Henry V, Act 3 Scene VI [10] are the lines: Pistol: Bardolph, a soldier firm and sound of heart And of buxom valor, hath by cruel fate And giddy Fortune's furious fickle wheel
For example, in line 9, Shakespeare diverts the ictus away from the two strong tonic stresses of "love" and "lov'st" by arranging the line such that the meter implies contrastive accent on the four pronouns surrounding them: × / × / × / × / × / Be it lawful I love thee, as thou lov'st those (142.9)