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Successful leaders of interpretive discussions should be involved with the ideas and opinions that their students express. This involves both being familiar with the texts and developing lists of questions to use as possible jumping points for discussions as well as getting participants involved throughout the processes of discussions.
Historically essential to Charlotte Lee's definition of oral interpretation is the fact that the performer is "reading from a manuscript". This perspective, once the majority view, has long since become the minority opinion. Voice and movement technique is opsis ("spectacle") while oral interpretation is, conceptually, melopoiia ("music ...
Aesthetic reading differs from efferent reading in that the former describes a reader coming to the text expecting to devote attention to the words themselves, to take pleasure in their sounds, images, connotations, etc. Efferent reading, on the other hand, describes someone, "reading for knowledge, for information, or for the conclusion to an ...
Reading comprehension and vocabulary are inextricably linked together. The ability to decode or identify and pronounce words is self-evidently important, but knowing what the words mean has a major and direct effect on knowing what any specific passage means while skimming a reading material.
This core gives that individual a certain style of being—and reading. Each reader uses the physical literary work plus invariable codes (such as the shapes of letters) plus variable canons (different "interpretive communities", for example) plus an individual style of reading to build a response both like and unlike other readers' responses.
Eve Kosofky Sedgwick built on Ricœur's theory to develop her ideas around "paranoid reading" and "reparative reading." [ 13 ] Sedgwick called on critics to abandon the "dramas of exposure" that so often motivate textual interpretation, and instead emphasize the various beneficial roles that texts can play within particular readers' lives. [ 14 ]
In literary criticism, close reading is the careful, sustained interpretation of a brief passage of a text. A close reading emphasizes the single and the particular over the general, via close attention to individual words, the syntax, the order in which the sentences unfold ideas, as well as formal structures. [1]
High schools and universities began incorporating readers theater into their drama curriculum, and interpretive readings became a popular competitive event at state, regional, and national forensics tournaments. [2] In the 1990s, the use of readers theater as a learning strategy spread to elementary and middle schools. [9]
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