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Show, don't tell is a narrative technique used in various kinds of texts to allow the reader to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. [1]
In the King James Version of the Bible, the text reads: And when the disciples saw him walking on the sea, they were troubled, saying, It is a spirit; and they cried out for fear. The New International Version translates the passage as: When the disciples saw him walking on the lake, they were terrified.
Writers use scare quotes for a variety of reasons. They can imply doubt or ambiguity in words or ideas within the marks, [18] or even outright contempt. [19] They can indicate that a writer is purposely misusing a word or phrase [20] or that the writer is unpersuaded by the text in quotes, [21] and they can help the writer deny responsibility for the quote. [19]
Antiphrasis is the rhetorical device of saying the opposite of what is actually meant in such a way that it is obvious what the true intention is. [1] Some authors treat and use antiphrasis just as irony, euphemism or litotes. [2] When the antiphrasal use is very common, the word can become an auto-antonym, [3] having opposite meanings ...
Truth, a small town in rural Montana, and Bright Water, a reserve across the Canadian–American border, are separated by a river. The first person narrator, a 15-year-old Native American youth, Tecumseh (named after the famous Shawnee leader), watches a strange woman jump off the cliff into the river that marks the border.
(There's a reason Beau dresses like an 8-year-old and has the social skills to match, particularly around the opposite sex.) As Mona tells Beau when he's young, "Only women know women. Men are blind."
Oxymorons in the narrow sense are a rhetorical device used deliberately by the speaker and intended to be understood as such by the listener. In a more extended sense, the term "oxymoron" has also been applied to inadvertent or incidental contradictions, as in the case of "dead metaphors" ("barely clothed" or "terribly good").
In the documentary Dangerous Days: Making Blade Runner, Hauer, director Ridley Scott, and screenwriter David Peoples confirm that Hauer significantly modified the speech. . In his autobiography, Hauer said he merely cut the original scripted speech by several lines, adding only, "All those moments will be lost in time, like tears in rain".