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Tumbling of rocks as a lapidary technique for rock polishing usually requires a plastic or rubber-lined barrel loaded with a consignment of rocks, all of similar or the same hardness, some abrasive grit, and a liquid lubricant. Silicon carbide grit is commonly used, and water is a universal lubricant. The barrel is then placed upon slowly ...
Lapidary (from the Latin lapidarius) is the practice of shaping stone, minerals, or gemstones into decorative items such as cabochons, engraved gems (including cameos), and faceted designs. A person who practices lapidary techniques of cutting, grinding, and polishing is known as a lapidary or lapidarist.
Articles related to lapidary and maintained by WikiProject Gemology and Jewelry. Pages in category "WikiProject Gemology and Jewelry - Lapidary" The following 26 pages are in this category, out of 26 total.
Lapidary clubs promote popular interest and education in lapidary, the craft of working, forming and finishing stone, minerals and gemstones. These clubs sponsor and provide means for their members to engage in all forms of jewellery making , cabochon cutting and faceting , carving , glass beadmaking and craft work.
The Lapidary Journal Jewelry Artist is an American magazine dedicated to lapidary interests such as gemology, jewelry design, metalworking, mineralogy, rocks, and gemstones. The magazine was established in 1947 as the Lapidary Journal , and was renamed to its current title in 2005.
A lapidary is a text in verse or prose, often a whole book, that describes the physical properties and metaphysical virtues of precious and semi-precious stones, that is to say, a work on gemology. [1]
The following values may be used for the importance parameter: Top (adds articles to Category:Top-importance Gemology and Jewelry articles); High (adds articles to Category:High-importance Gemology and Jewelry articles)
In 1852 Théophile Gautier titled a collection of his highly polished, lapidary poems Emaux et Camées (Enamels and Cameos). Historical patrons of cameo art included influential collectors like the Earl of Bessborough, who began an extensive collection in the 18th century, later acquired by the Duke of Marlborough.
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