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The subject is the eruption of Mount Vesuvius in AD 79 that enveloped the city of Pompeii in volcanic ash killing most of its inhabitants. As a scene from the ancient world it was an appropriate subject for a history painting, then regarded as the highest genre of painting, and the magnitude of the event also made it suitable for a large canvas that would allow Bryullov to showcase all his skills.
An archaeologist works on the recently discovered remains of a victim in the archaeological site of the ancient city of Pompeii, which was destroyed in AD 79 by the eruption of Mount Vesuvius, in ...
Plastered Pompeii Victims’ DNA Corrects Record by Andrea Pucci - Getty Images Some of the victims of the Mount Vesuvius eruption in 79 A.D. in Pompeii were cast in plaster to preserve the scene.
The painting is a monumental canvas 5 feet 3 inches (1.6 m) by 8 feet 2 inches (2.5 m) which depicts a view from Stabiae across the Bay of Naples towards the doomed cities of Pompeii and Herculaneum during the eruption of Vesuvius in AD 79. The background is dominated by the apocalyptic scene of the erupting volcano, which casts a red light ...
Fascinating artworks have been uncovered in a new excavation at Pompeii, the ancient Roman city doomed and buried by Mount Vesuvius’s deadly eruption in AD79.. The most impressive discovery is ...
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The Last Day of Pompeii. Painting by Karl Brullov, 1830–1833. A major earthquake [9] caused widespread destruction around the Bay of Naples, particularly to Pompeii, on February 5, 62 AD. [10] Some of the damage had still not been repaired when the volcano erupted in 79 AD. [11]
The ash spewed by the volcano coated the bodies of people and animals and encased buildings, monuments, mosaics, frescoes, sculptures and other artifacts in Pompeii and other surrounding towns.