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Paduasoy or padesoy [1] (/ ˈ p æ dj u ə s ɔɪ /; French: peau de soie) is a luxurious strong corded or grosgrain silk textile that originated in Early Modern Europe. The term paduasoy first appeared in English in 1663. [2] Paduasoy silk was woven in a variation of the satin weave, with bindings arranged to create fine cross-ridges across ...
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The fabric known as silver or gold tissue can be characterized as a type of metal cloth, woven from fine threads of silver or gold, and possessing a transparent and gauzy texture. [2] Tissue matalassé was a type of Tissue fabric introduced in 1839, characterized by a surface of small squares resembling quilting.
The Textile Arts Museum (French Musée des Tissus) is a museum in the city of Lyon, France.Located in two 18th century hôtels particuliers of Lyon's 2nd arrondissement, the institution consists in two distinct collections: the textiles collection and the decorative arts collection.
Cotton crêpe made in France. [20] Crêpe de laine A sheer wool fabric plain-woven with hard twist for a slight crêpe effect. [20] Crêpe de santé An undyed, closely woven, rough-textured wool-blend crêpe mixed with silk, linen, or cotton, also called "health crepe". [20] Crêpe de Suisse 1860 dress fabric. [7] Crêpe d'espagne Open-weave ...
Samite was a luxurious and heavy silk fabric worn in the Middle Ages, of a twill-type weave, often including gold or silver thread. The word was derived from Old French samit , from medieval Latin samitum, examitum deriving from the Byzantine Greek ἑξάμιτον hexamiton "six threads", usually interpreted as indicating the use of six yarns ...
Taffeta (archaically spelled taffety or taffata) is a crisp, smooth, plain woven fabric made from silk, nylon, cuprammonium rayons, acetate, or polyester. The word came into Middle English via Old French and Old Italian, which borrowed the Persian word tāfta (تافته), which means "silk" or "linen cloth". [ 1 ]
Invoice (1860) to Nicholas Destréhan, a planter from Louisiana.. In 1839, Charvet already had some imitators, [n. 3] but still the "best supply". [24] The same year, Charvet held the title of official shirtmaker to the Jockey Club, [16] a very exclusive Parisian circle, then headed by Prince Napoléon Joseph Ney and inspired by Count Alfred d'Orsay, a famous French dandy. [25]