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The Xiabuzan (Chinese: 下部讚 [1]) is a Chinese Manichaean hymn scroll found by British archaeologist Aurel Stein in the Mogao Grottoes. It contains a series of hymns used in religious ceremonies. It is currently held at the British Library, where it is catalogued as number S.2659. [2] [3]
Scattered fragments of both the original Aramaic Book of Giants (which were analyzed and published by Józef Milik in 1976) [42] and the Manichaean version of the same name (analyzed and published by Walter Bruno Henning in 1943) [43] were discovered along with the Dead Sea Scrolls in the Judaean desert in the 20th century and the Manichaean ...
After the introduction of hanging scrolls into Manichaean artistic production by the 10th century, it started to integrate a number of individual canonical images in one composite display. "The result was the emergence of modified canonical images. The Diagram of the Universe is an example of such a modified image." [6]
Chinese Manichaeism, also known as Monijiao (Chinese: 摩尼教; pinyin: Móníjiào; Wade–Giles: Mo 2-ni 2 Chiao 4; lit. 'religion of Moni') or Mingjiao (Chinese: 明教; pinyin: Míngjiào; Wade–Giles: Ming 2-Chiao 4; lit. 'religion of light or 'bright religion'), is the form of Manichaeism transmitted to and currently practiced in China.
Zsuzsanna Gulácsi states in her article A Visual Sermon on Mani's Teaching of Salvation: . The Manichaean origin of this Chinese painting is unquestionable for three principal reasons: its dedicatory inscription that bestowed the object on a Chinese Manichaean temple most likely at Ningbo, in Zhejiang province; the iconography of its main deity, Mani, as well as that of the elect (Manichaean ...
The Manichean Compendium is a Manichaean manuscript found in the Mogao Caves. It is a manuscript expounding the doctrine of Manicheaism. It was written in the reign of Emperor Xuanzong of Tang by the Persian missionary Fuduo in 731. It briefly summarizes the basic teachings and rituals of the religion, and is an introductory document for ...
The Syriac inscription engraved around must also be visible through the convex surface: "M’ny šlyḥ’ d-yyšw‘ mšyḥ’", meaning literally "Mani, messenger of the messiah". [3] [4] The text may be interpreted as "Mani, the apostle of Jesus Christ", [3] making this seal is the first Manichaean artwork to mention Jesus. In the early ...
After studying and comparing the scroll with a number of Buddhist, Church of the East Christian and Manichaean works of art, Gulácsi concluded in her article A Manichaean Portrait of the Buddha Jesus: Identifying a Twelfth-Thirteenth-century Chinese Painting from the Collection of Seiun-ji Zen Temple, that the painting is a Manichaean work of art: