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Phyllis Birkby (1932–1994), practicing architect, educator and proponent of women's role in architecture; Norma Bonniwell (1877–1961), worked with her father in North Carolina; India Boyer (1907–1998), first female architect in Ohio; Louise Braverman (born 1948), New York-based architect who is a Fellow of the American Institute of Architects
In 2022 Architecture + Women NZ with Massey University Press published Making Space: A History of New Zealand Women in Architecture. Edited by Elizabeth Cox and written by Cox and 30 other women architects, architectural historians and academics it makes visible the contributions to architecture in New Zealand of over 500 women. [99] [100]
Jeanne Gang (born March 19, 1964) is an American architect and the founder and leader of Studio Gang (established in 1997), an architecture and urban design practice with offices in Chicago, New York, San Francisco, and Paris.
In 1958, women made up only 1 percent of the AIA's registered architects, and by 1988, only 4 percent. But they've come a long way in the past 25 years, now comprising nearly a quarter of the AIA ...
See List of female architects#United States, which may roughly correspond to this category, but may also include women who do not yet have separate Wikipedia articles (may show as wp:redlinks, or may link to architectural firms where they work) and women who have lesser associations with architecture that are not properly categorized as architects (e.g., women with an architectural degree who ...
This is a non-diffusing subcategory of Category:Architects. It includes architects that can also be found in the parent category, or in diffusing subcategories of the parent. Women placed in this category should also be placed in the corresponding Category:Architects by nationality tree.
Only a handful of women have ever won the Pritzker Prize for Architecture, and Dame Zaha Hadid was the first in 2004. She was called the "Queen of Curves" and considered to be the greatest female ...
The school had never before allowed a woman to study architecture, but in 1897, it opened its entry process to women applicants, largely because of pressure from a union of French women artists, whom Morgan characterized as "bohemians." [12] [17] In her time at the Beaux-Arts, Morgan interacted with members of the Union des femmes peintres et ...