Search results
Results from the WOW.Com Content Network
Matsuo Bashō, the great master of haiku, frequently painted as well. Haiga became a major style of painting as a result of association with his famous works of haiku. [citation needed] Like his poems, Bashō's paintings are founded in a simplicity which reveals great depth, complementing the poems they are paired with.
Haiku originated as an opening part of a larger Japanese genre of poetry called renga. These haiku written as an opening stanza were known as hokku and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. [4]
A monument containing a haiku by Shiki, in front of Matsuyama Station. Shiki may be credited with salvaging traditional short-form Japanese poetry and carving out a niche for it in the modern Meiji period. [38] While he advocated reform of haiku, this reform was based on the idea that haiku was a legitimate literary genre. [39]
Virgilio experimented with the haiku form, trying several innovations that other American haiku poets were exploring, including dropping the traditional 5-7-5 syllable count in favor of shorter forms. He sometimes included rhyme in his haiku along with the gritty reality of urban America. A collection of his selected haiku was published in 1985.
He made his life’s work the transformation of haikai into a literary genre. For Bashō, haikai involved a combination of comic playfulness and spiritual depth, ascetic practice and involvement in human society. [7] He composed haikai masterpieces in a variety of genres, including renku, haibun, and haiga. [8]
Uejima Onitsura. Uejima Onitsura (上島 鬼貫, April 1661 – 2 August 1738 [1]) was a Japanese haiku poet of the Edo period.Prominent in Osaka and belonging to the Danrin school of Japanese poetry, [2] Uejima is credited, along with other Edo period poets, of helping to define and exemplify Bashō's style of poetry.
Grave of Mishima (Yukio Mishima no haka (ユキオ・ミシマの墓)) by Pierre Pascal (1970) – 12 Haiku poems and three Tanka poems. Appendix of Shinsho Hanayama (花山信勝) 's book translated into French. [324] Art. Kou (Kou (恒)) by Junji Wakebe (分部順治) (1976) – Life-sized male sculpture modeled on Mishima. The work was ...
Comparing Kikaku's paired haiku in 'The Rustic Haiku Contest', Bashō remarked of one that "these are artifices within a work of art; too much craft has been expended here". [6] One day, Kikaku composed a haiku, Red dragonfly / break off its wings / Sour cherry. which Bashō changed to, Sour cherry / add wings to it / Red dragonfly;