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The word "bichota" is a play-on-words, a feminine form of the Puerto Rican term "bichote". Pronounced with a slight Spanish accent; [4] specifically in the context of Puerto Rican underground culture, a "bichote" is a big-shot, a top-ranking member of a gang, a mobster, or "capo" ("boss" in Spanish). The bichote is considered highly regarded ...
The music video for "Todos los días sale el sol" was directed by Egoi Suso. [11] It was shot in Tarragona, Spain on 20 May 2011 [12] and was released on 23 June 2011. In the video, frontman Uri Giné is shown singing the song as he walks down the street and meets his bandmates.
"Porque te vas" is a romantic ballad [17] that incorporates elements of funk, disco and pop music, featuring a predominant use of the saxophone. [18] Critic Julián Molero of Lafonoteca described the track's instrumentation as "full of self-confidence with almost mocking interventions of the brasses and the crash of the drums releasing unexpected blows". [19]
De colores" ([Made] of Colors) is a traditional Spanish language folk song that is well known throughout the Spanish-speaking world. [1] It is widely used in the Catholic Cursillo movement and related communities such as the Great Banquet, Chrysalis Flight, Tres Días, Walk to Emmaus, and Kairos Prison Ministry.
"Somos Novios" (Spanish for "We're a couple") is a song first recorded by Mexican songwriter Armando Manzanero in 1968. [1] [deprecated source] Perry Como recorded an English version of "Somos Novios" with original English lyrics titled "It's Impossible", which was a top 10 hit in the US and the UK.
The song "La Llorona" is featured in the 2017 Disney-Pixar film Coco; it is performed by Alanna Ubach as Imelda Rivera and Antonio Sol in a guest appearance as Ernesto de la Cruz in the English version and Angelica Vale and Marco Antonio Solis in the Spanish version. In the film, Imelda sings the song during the sunrise concert as she attempts ...
Olé is a Spanish interjection used to cheer on or praise a performance commonly used in bullfighting and flamenco dance. [2] In flamenco music and dance, shouts of "olé" often accompany the dancer during and at the end of the performance, and a singer in cante jondo may emphasize the word "olé" with melismatic turns.
Rhythmically, the song is an example of a cumbia or Afro-Caribbean rhythm that may have originally been used for courtship rituals among Africans. The word cumbia itself may be related to cumbé, a Kongo word meaning "noise" that may be at the root of other Spanish words as well, viz. "cumbancha," a noisy party.