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Nightgowns have several different variations. Longer, cotton nightgowns are often referred to as "Victorian Nightgowns", having been influenced by similar styles in the late 19th century. Shorter nightgowns are also known as "nighties" and a common style is the "babydoll" nightgown which is generally lace and silk with a V-neckline. Other ...
Also called a morning gown, robe de chambre or nightgown, the banyan was a loose, T-shaped gown or kimono-like garment, made of cotton, linen, or silk and worn at home as a sort of dressing gown or informal coat over the shirt and breeches. The typical banyan was cut en chemise, with the sleeves and body cut as one piece.
A nightcap is a cloth cap worn with other nightwear such as pajamas, a onesie, a nightshirt, or a nightgown; historically worn in the cold climates of Northern Europe. Nightcaps are somewhat similar to knit caps worn for warmth outdoors.
Unfitted gowns (called nightgowns in England) with long hanging sleeves, short open sleeves, or no sleeves at all were worn over the bodice and skirt and tied with a ribbon sash at the waist. In England of the 1610s and 1620s, a loose nightgown was often worn over an embroidered jacket called a waistcoat and a contrasting embroidered petticoat ...
A close-bodied gown, English nightgown, or robe à l'anglaise was a women's fashion of the 18th century. Like the earlier mantua , from which it evolved, [ 1 ] the back of the gown featured pleats from the shoulder, stitched down to mould the gown closely to the body until the fullness was released into the skirt.
Hotel guests have described Mary’s ghost as a long-haired woman wearing a white nightgown. ... The old Victorian house is reportedly haunted by a young girl named Alice who died during the 1915 ...
A daring new fashion arose for having one's portrait painted in undress, wearing a loosely fastened gown called a nightgown over a voluminous chemise, with tousled curls. The style is epitomized by the portraits of Peter Lely, which derive from the romanticized style originated by Anthony van Dyck in the 1630s. The clothing in these portraits ...
The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
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