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Portrait by Cristofano Allori (Casa Buonarroti, Florence) La tancia (1612) Michelangelo Buonarroti il Giovane the Younger (baptized 4 November 1568 – 11 January 1646) was a Florentine poet, librettist and man of letters, known as "the Younger" to distinguish him from his granduncle, Michelangelo.
The tondo was commissioned by Taddeo Taddei. He was a patron and friend of Raphael, a young contemporary to Michelangelo also working in Florence. Raphael studied and reworked the tondo in two drawings, the versi of The Storming of Perugia now at the Louvre as well as compositional studies for the Madonna del Prato now at Chatsworth House. [15]
The composition is a novel one, with the body of Jesus typically held horizontally in paintings of the Entombment, although earlier examples with Jesus held vertically that may have influenced Michelangelo include a 1438-1440 predella to the San Marco Altarpiece by Fra Angelico, and Domenico Ghirlandaio. The upright posture of Jesus may allude ...
Michelangelo became infatuated with the young Roman patrician. Vasari noted that "Infinitely more than any other friend, Michelangelo loved the young Tommaso", who became the object of Michelangelo's passion, his muse, and the inspiration for letters, numerous poems, and works of visual art. The pair would remain devoted to each other until ...
Casa Buonarroti is a museum in Florence, Italy that is situated on property owned by the sculptor Michelangelo that he left to his nephew, Leonardo Buonarroti. The complex of buildings was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger .
The Agony and the Ecstasy is a biographical novel of Michelangelo Buonarroti written by American author Irving Stone. Stone lived in Italy for years visiting many of the locations in Rome and Florence, worked in marble quarries, and apprenticed himself to a marble sculptor.
The Conversion of Saul is a fresco painted by Michelangelo Buonarroti (c. 1542–1545). It is housed in the Pauline Chapel (Capella Paolina), Vatican Palace, in Vatican City. This piece depicts the moment that Saul is converted to Christianity while on the road to Damascus.
The baby Jesus leans on her in a lively contrapposto and just visible emerging in the background, is a young Saint John the Baptist. Apparently, Michelangelo also was influenced by the now-lost cartoon of Saint Anne by Leonardo da Vinci that was exhibited in Florence at the Santissima Annunziata during the years Michelangelo was working on the ...
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