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The topos of "light and darkness" is also reflected in numerous titles in popular culture, such as Heart of Darkness (1899), Light in My Darkness (1927), Darkness and the Light (1942), Creatures of Light and Darkness (1969), From Darkness to Light (1973), Darkness and Light (1989), The Lord of the Light and of the Darkness (1993), the Star Trek ...
According to Hesiod's Theogony, Nyx is the offspring of Chaos, alongside Erebus (Darkness), by whom she becomes the mother of Aether and Hemera (Day). [7] Without the assistance of a father, Nyx produces Moros (Doom, Destiny), Ker (Destruction, Death), Thanatos (Death), Hypnos (Sleep), the Oneiroi (Dreams), Momus (Blame), Oizys (Pain, Distress), the Hesperides, the Moirai (Fates), the Keres ...
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
The Great Spirit gifted these boxes to the animals who existed before humans. When the animals opened the boxes all the things that comprise the world came into being. The boxes held such things as mountains, fire, water, wind, and seeds for all the plants. One such box, which was given to Seagull, contained all the light of the world.
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Egyptian lion gods – Lions were a symbol of warfare and most all of these gods were warriors Aker – earth and underworld god; Ȧmi-Pe – A lion god; Apedemak – depicted as a figure with a male human torso and a lion head; Bast – Lioness goddess of fertility and protection against disease. Hert-ketit-s; Ḥuntheth – A lioness goddess
Älvalek (Elfplay or Dancing Fairies) (1866) by August Malmström. In Norse mythology, Dökkálfar ("Dark Elves") [a] and Ljósálfar ("Light Elves") [b] are two contrasting types of elves; the dark elves dwell within the earth and have a dark complexion, while the light elves live in Álfheimr, and are "fairer than the sun to look at".
Black is the foremost color associated with Tezcatlipoca, not only because of his role as a god of nighttime and darkness, but to differentiate him from the other three so-called Tezcatlipocas (Quetzalcoatl, Huitzilopoctli, and Xipe-Totec) and their respective colors (white, blue, and red). [6]