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Contemporary dance draws on both classical ballet and modern dance, whereas postmodern dance was a direct and opposite response to modern dance. Merce Cunningham is considered to be the first choreographer to "develop an independent attitude towards modern dance" and defy the ideas that were established by it.
Contemporary dance emerged in the 1950s as the dance form that is combining the modern dance elements and the classical ballet elements. [31] It can use elements from non-Western dance cultures, such as African dancing with bent knees as a characteristic trait, and Butoh , Japanese contemporary dancing that developed in the 1950s.
With clear pioneers, pupils and principles, modern dance began to emerge as a distinctly American art form to be taught and developed throughout the country and continent. [citation needed] Later choreographers searched for new methods of dance composition. Merce Cunningham (1919–2009) introduced chance procedures and composition by field.
A contemporary ballet leap. Contemporary ballet is a genre of dance that incorporates elements of classical ballet and modern dance. [1] It employs classical ballet technique and in many cases classical pointe technique as well, but allows a greater range of movement of the upper body and is not constrained to the rigorously defined body lines and forms found in traditional, classical ballet.
Graham technique has been called the "cornerstone" of American modern dance, and has been taught worldwide. [2] It is widely regarded as the first codified modern dance technique, [3] and strongly influenced the later techniques of Merce Cunningham, Lester Horton, and Paul Taylor. [4] [5] [6]
Dance theory is the philosophy underpinning contemporary dance, including formal ideologies, aesthetic concepts, and technical attributes. [1] It is a fairly new field of study, developing largely in the 20th century. It can be considered a branch of expression theory [2] and is closely related to music theory and specifically musicality. [3]
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