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The choice of the "100 greatest" was based on the sum of votes of 60 scholars, producers and Brazilian music journalists. Each of the voters chose 20 albums, in no order of preference, which according to Rolling Stone, should be based on criteria like "intrinsical artistic value and historical importance, that is, how much the album influenced other artists."
The LP was considered in the list of the Brazilian version of Rolling Stone as the 7th best Brazilian album of all time. [5] In 2022, the album was ranked number 1 on the Discoteca Básica podcast's 500 Greatest Brazilian Music Records list. [6] Spin ranked the album at number 19 in its list for the 50 Best Albums of 1972. [7]
Popular Brazilian singers Vanessa da Mata, Marisa Monte, CéU, Roberta Sá, and Mariana Aydar have all cited the album as one of their biggest influences. In 2007, Acabou Chorare ranked first in Rolling Stone's "The 100 Greatest Albums of Brazilian Music" list, being hailed as a masterpiece by journalists, historians, and musicians alike. [1]
A music video for the song directed by Pedro Tófani was released on January 23. [11] The song reached number one on Spotify's Viral Brasil chart. In Brazil, the song received a diamond certificate. [12] In February 2018, Jão featured in Collab, a project by the band Jota Quest, on the track "Amor Maior". [13]
The eight songs (11 in the live show) have a rich and unique musicality: a mix of candomblé and umbanda instruments (like atabaques and afoxés) with timbres common to Brazilian music (agogôs, the flute, and tambourines). [3] The opening track, Canto de Ossanha is ranked number 9 on Rolling Stone's list of 100 greatest Brazilian songs. [4]
Construção ranks Number 3 on Rolling Stone's list of 100 greatest Brazilian albums of all time. [4] The magazine also voted its title track as the greatest Brazilian song, stating that it "is still a reference to understand a thorny period of Brazilian society". [5]
"Mas que nada" (Brazilian Portuguese pronunciation: [ma(j)s ki ˈnadɐ]) is a song written and originally recorded in 1963 by Jorge Ben (currently known as Jorge Ben Jor) on his debut album Samba esquema novo. The song was covered in 1966 by Sérgio Mendes, becoming one of the latter's signature works.
"Brasileirinho" (Little Brazilian) is a 1947 choro composed by Waldir Azevedo. It is considered one of the most successful and influential choros of all time; this standard has been covered by many artists, like singer Carmen Miranda, acoustic guitarist João Pernambuco [], guitarist Pepeu Gomes, and cellist Yo-Yo Ma (Obrigado Brazil). [1]